jeudi 24 novembre 2016

TODAY'S ARCHIBOLD #002 | Mies Van der Rohe | Neue Nationalgalerie | Berlin, Germany | 1965-1968

Here are some pictures of Neue Nationalegalerie (1965-1968) by Mies Van der Rohe at Berlin, Germany.
Source  | Divisare - Studioesinam - Catview
Credits  | ©Rory Gardiner - ©Fabio Candido 

 © ME AND M(I)E(S). A REPORTAGE BY FABIO CANDIDO
© ME AND M(I)E(S). A REPORTAGE BY FABIO CANDIDO
 © RORY GARDINER
© COURTESY OF STUDIO ESINAM
© COURTESY OF STUDIO ESINAM



© RORY GARDINER
© Cat View


dimanche 20 novembre 2016

Couvent Sainte-Marie de La Tourette; Le Corbusier & André Wogenscky. Iannis Xenakis. 1960

"Stay in the silence of the men of prayer and study, and build them a church". Le Corbusier

Here are a few sketches i did during my trip visit to the Convent de la Tourette designed by the architect "Le Corbusier". During my stay I was able to truly absorb the calm, spiritual and isolated environment & architecture of the place and also had the opportunity to sleep on one of the cell's human scale designed for the young dominican brothers.

. The monastery affirms the principle "above ground" and forms a building in the pure state.

. Le Corbusier proceeded on the principle of a U-shaped rectangle, closed by the block of the detached church.
. The cells are on a human scale, emerging from a system of proportions "The Modulor".

. Xenakis has developed a system of "wave-shaped glass panels" inspired by his research on stochastic music.
. The church forms a blind austere box, punctuated by colored horizontal lights and other on air "cannons to light".
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mardi 15 novembre 2016

TODAY'S ARCHIBOLD #001

Here are some pictures of Kaufmann House (1947) by Richard Neutra at Palm Springs,CA.United States. 
Photographer ©Thom Watson

Références : ©Archinform©greatbuildings.com©LA Times©Archdaily
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"STRUCTURE FOR A LIVING IN THE MOROCCAN DESERT COMPETITION" - 3rdPRIZE / "RECYCLING PERSPIRATION"

Designers : Dahmani Imad - Elmoumni Lahbib - Brochard Luc
Theme : The project was to design speculatively modes of appropriation of Grand Desert in Morocco as a territorial structure. The project will be exposed at the Moroccan Pavilion at "La Biennale Di Venezia 2014"
Organizers : FADA
Program : STRUCTURE FOR A LIVING IN THE DESERT
Date : Competition Opening : November 2013
          Submission : February 2014
          Results : March 2014

The Green houses recycle their water by condensation of plant's misted air

It makes no sense to occupy the desert without dealing with the problem of water? There is water in the desert, but not sufficient for sustainable occupation. The idea here is to draw a small amount of initial water (using a drill, then closed) to use for watering a farm garden, and collect for recycling in a closed cycle. For this, a simple system operating by convection and condensation, retrieve the moisture in the air, moisture created by the natural evapo-transpiration of plants. This wet air is condensed, water is again recovered to water the garden.

The stations are autonomous and scattered through the Grand Desert

In Dune (Frank Herbert, 1960) Fremen is a group that survives in dune desert by using waterproof clothes which recycle their water produced by their bodies (urine, sweat, exhaled air). Our installation has the same process.

Plantations are growing and watered through the closed cycle of the green house

To operate independently , we use a system of ” refrigerator space ,” it is an ancient, used for a long time to refrigerate water in hot countries. Insulate a pot of water of its surrounding, the water will exchange their warm with the most cold thing in the universe: the empty dark outer space at -270 ° C by thermal exchanges.

Schematic Design

Why cool to recycle water? Plants breathe and perspire, it creates moist air. If you leave this moist air escaping into the atmosphere, you have lost the water. If you recover and recycle, you can reuse it to water and grow new plants. As in the desert Fremen of Dune, you initiated the recycling of water and you can live a long time in the desert.

How does the system work? Plants (fruit trees, gardening) grow in a remote shell on the outside. Watered by an initial amount of water from a borehole (subsequently closed), these plants grow, breathe, sweat and create moist air in your envelope.






This air is recovered by natural convection in a tower that houses, among other things, the fridge space. It through the cold created cools the air, which condenses the water contained therein. This water is recovered and returned to the sprinkler system, drip, which winds into the ground. The cold air generated is used to cool the tower (which also houses the local housing and storage). It also cools the hot air from the outside, a system supported by Canadian well.




The envelope is composed of a large excavation in the ground, that allows for thermal control of the incidental soil. The excavated soil is used to hold a peripheral ring sui supports a waterproof membrane, which lets light in sufficient quantity to grow plants. Overheating is prevented by the thermal regulation of the land and fresh cooled air from the outside. Simply spread on the sand membrane reduces solar gain. It is also possible to combine it with sunscreens supporting photovoltaic panels for electricity power station. The agricultural products are also dried (dried fruit, dried vegetables) to recycle water and allow a reduction of their weight, so better retention and lower cost for transportation.










Bathroom, kitchen, everything is recycled and goes back into the sprinkler system. Organic waste and dead plants are transformed into compost to feed the soil fertilizer. Dead trees are dried to remove water before being used as fuel natural.









The station is about 3 hectares, sized to accommodate 8 to 12 families, which can then feed, and export part of the production. The implementation is done by units, aggregated or isolated as a camp in the desert, in order to create a set of autonomous stations, trading them the necessaries, exporting even in the rest of the country the surplus production.










This project builds, besides Fremen of Dune, the Arecibo telescope (Puerto Rico) and its magical space underneath the film The Powers of Ten (1977 by Charles and Ray Eames), which connects the infinitely large to the infinitely small.





Study Model
From Right to Left : Brochard Luc - Elmoumni Lahbib - Dahmani Imad

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dimanche 6 novembre 2016

"45 WHITE CUBES" / CASABLANCA BOMBING ROOMS COMPETITION



I always thought that architecture competitions were among the best ways to evolve our profession, we can express ideas more freely and also have the opportunity to confront our skills and creativity to solve problems with other participants, but the most important is a human adventure where teamwork is a major key to a successfull journey.

Casablanca Bombing Rooms is an international competition whose purpose was to design a learning place as a mean to evolve education and consciousness in our country, Morocco. The competition was also linked to the isssue of a series of suicide bombings that took place in 2003 in Casablanca, which resulted in the deaths of 45 people.

Libraries and cultural spaces have been a central focus on architecture and culture for centuries, historically they have been sites of great feats of architecture where both nobles and commoners could gather to gain knowledge and understanding.


A "urban reading area" at the ground level is used as a public space

On the night of May 16th, 2003, Casablanca was hit by several terrorist bombings. Families torn apart forever, friends that we will never see again, balance: 45 dead !! 45 lives lost in a barbaric act. Yes barbaric, as terrorism has no other source than ignorance and obscurantism. Light, knowledge, sharing are the values we wanted to convey through our building. The 45 white cubes is above all a social project that promotes the values of sharing and sociability.


Through its symbolic 45 apellation, this building is a tribute to the deceased victims, not to mourn the dead, but to remember this incident and use these values to build generations who will fight terrorism. It is essential to instill in them knowledge and openness, the sole weapons that can annihilate terrorism.

The urban reading room is dominated by a central patio that brings the light and
connects the spaces between them




The project takes the entire site area in the shape of a huge white cube. A cube that has been hollowed out in the lower part where we carved stairs to access the building, and where 45 boxes of knowledge will mark this route. This space is not reduced to its sole function of access to the building; it is a public place where interactions, confrontations and social frictions take shape at different scales.

A patio has been carved out of the upper part of this space, like a wall of light, that not only illuminates the inside of the building but also allows the different parts to connect physically and visually.

The urban level is connected with cultural spaces through the ramp and the patio

At urban level, the building is therefore completely open to the city, it invites, gives a sense of security. A dialogue between the building and its environment can then be created. On the other hand, socially, the space will favor contact, build relationships, and promote diversity and exchange.
The upper part of the cube will house the library. The cantilever soars over the site taking an ambulatory shape, in an urban stroll, which overlooks the city through a glass wall, punctuated with bookcase spaces.

The library marks the end of the ambulatory ramp and view the city through a glass wall

The exhibition space on the ground floor is an invitation to be moved and recreate the city through displays of works of art. A return to origins and Moroccan core values is equally important, a reminder is made in that sense by a Mashrabiya that covers the building like a sheet.

Team / Right to Left : Elmoumni Lahbib - Benhamza Fatimzahra - Dahmani Imad

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